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On a brand new episode of WILD IN THE STREETS, we’re going One Step Beyond with Warhol superstar Joe Dallesandro in the sleaze-filled home invasion thriller MADNESS from director Fernando Di Leo. Featuring plenty of uncomfortable nudity and most of the soundtrack to Caliber 9, MADNESS has hunky Joe terrorizing a married couple (along with the wife’s seductress sister) while trying to uncover some stolen riches stashed in their fireplace. All that, a giant poster of John Travolta that looms menacingly over the proceedings. Is it any good? Listen and find out!

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Check out our Wild in the Streets archive right here.

We’re getting WILD IN THE STREETS with Charles Bronson and Telly Savalas in the New Orleans-set Eurocrime classic VIOLENT CITY from 1970. The plot involves Bronson’s retired assassin Jeff Heston getting revenge on those who left him for dead, including the woman he loves (played, naturally, by Jill Ireland). Sergio Sollima’s VIOLENT CITY features some dynamite action sequences, some terrific performances and some disturbing misogyny that left us – wait for it – conflicted. It also features a wonderful soundtrack from Ennio Morricone, that the movie takes great advantage of. CHECK IT OUT!

Check out VIOLENT CITY right now on the Tubi streaming service:

https://tubitv.com/movies/682048/violent-city?start=true

Or pick up the recent special edition VIOLENT CITY blu-ray through Kino Lorber right here.

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We’re getting Wild in the Streets with Franco Nero in Enzo G. Castellari’s 1974 Eurocrime revenge thriller STREET LAW! Starring Nero as an engineer who finds his safety (and masculinity) threatened by a post office robbery and decides to take the (street) law into his own hands. Badly! More nuanced than one might expect, and featuring a rocking soundtrack, there’s still plenty of action and – of course – explicit violence. Check it out!

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On this episode of WILD IN THE STREETS we continue our look at the Eurocrime films of the 70s (and beyond) with Sergio Sollima’s 1973 poliziottesco film REVOLVER, starring Oliver Reed and Fabio Testi. Featuring a dynamite score from Ennio Morricone, the film has Reed’s prison warden Vito Cipriani being blackmailed into releasing a prisoner after his wife is taken hostage. Featuring a twisty plot that ends in pretty depressing fashion (our favorite!), it’s both a successful action film and a critique of oppressive governmental infrastructure. FUN! But is it any good? Let’s find out!

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We’re getting Wild In The Streets with Umberto Lenzi’s gleefully exploitative 1974 crime thriller ALMOST HUMAN (aka THE DEATH DEALER, aka Milano odia: la polizia non può sparare). Featuring a stand-out slimy performance from Tomas Milian, the film follows small-time scumbag Giulio Sacchi as he goes on a spree of murder and mayhem throughout Milan while tough cop Walter Grandi (Henry Silva) is hot on his trail. It’s filled with chaos and bloodshed, but is it fascist? Let’s talk about it.

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On this heart-racing episode of WILD IN THE STREETS we’re looking at the seminal 1972 poliziottesco film EXECUTION SQUAD (aka La polizia ringrazia)! The film takes a surprisingly balanced look at the war between cops and criminals in Italy in the early 70s, with a sympathetic police commissioner (Enrico Maria Salerno) battling both violent psychopaths, as well as a group of vigilantes (the EXECUTION SQUAD) taking vengeance into their own hands. CHECK IT OUT!

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On the PREMIERE episode of WILD IN THE STREETS: A EUROCRIME PODCAST we’re looking at the two films which kick off Roberto Curti’s essential book Italian Crime Filmography, 1968-1980: 1968’s Bandits in Milan, as well as 1968’s Bandits In Rome! The first film takes a documentary approach to a real-life incident that took place in Milan, Italy in 1967 while the second film starts John Cassavetes as a bandit with a heart of gold who is locked away while his partner goes on a violent rampage. What did we think? Listen and find out!