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On a brand new episode of WILD IN THE STREETS, we’re going One Step Beyond with Warhol superstar Joe Dallesandro in the sleaze-filled home invasion thriller MADNESS from director Fernando Di Leo. Featuring plenty of uncomfortable nudity and most of the soundtrack to Caliber 9, MADNESS has hunky Joe terrorizing a married couple (along with the wife’s seductress sister) while trying to uncover some stolen riches stashed in their fireplace. All that, a giant poster of John Travolta that looms menacingly over the proceedings. Is it any good? Listen and find out!

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“Have you checked on the children?”

On this episode of PRAISING KANE we continue our chronological look at the career of the wonderful Carol Kane with the 1979 thriller WHEN A STRANGER CALLS. Best known for its incredibly tense first twenty minutes, the film takes some unexpected – and odd – twists and turns, with a private investigator played by Charles Durning on the heels of a serial killer. We also look at all the latest Carol Kane news, and have a promising update about our next episode! Check it out.

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We’re getting Wild In The Streets with Umberto Lenzi’s gleefully exploitative 1974 crime thriller ALMOST HUMAN (aka THE DEATH DEALER, aka Milano odia: la polizia non può sparare). Featuring a stand-out slimy performance from Tomas Milian, the film follows small-time scumbag Giulio Sacchi as he goes on a spree of murder and mayhem throughout Milan while tough cop Walter Grandi (Henry Silva) is hot on his trail. It’s filled with chaos and bloodshed, but is it fascist? Let’s talk about it.

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On this episode of Cinema Fantastic (a trip to the genre film festivals around the world) we’re traveling to the 2009 London Frightfest film festival in London, England to check out two ultra-violent heavy-hitters: Dario Argento’s GIALLO and The Mo Brothers’ MACABRE. The tenth anniversary of Frightfest, 2009 marked a big expansion in terms of the festival, which featured plenty of unique, international offerings. Was Argento’s Adrien Brody-starring thriller a return to form? Did The Mo Brothers (Killers, Headshot) succeed with their Indonesian spin on The Texas Chain Saw Massacre? Who reigns supreme? Let’s find out!

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On HOW DO YOU DO, FELLOW KIDS? we look at the life and career of beloved oddball character actor Steve Buscemi, and on this episode we go all the way back to 1987 and Peter Ily Huemer’s neon-soaked noirish “thriller” KISS DADDY GOODNIGHT! Featuring Uma Thurman making her feature film debut, as well as forgotten Dillon sibling Paul Dillon, the movie is meandering, ugly and tedious, but manages to capture a uniquely grimy aesthetic at times. Also, STEVE BUSCEMI is in it! CHECK IT OUT!