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On this episode of Cinema Fantastic (a trip to the genre film festivals around the world) we’re traveling to the 2009 London Frightfest film festival in London, England to check out two ultra-violent heavy-hitters: Dario Argento’s GIALLO and The Mo Brothers’ MACABRE. The tenth anniversary of Frightfest, 2009 marked a big expansion in terms of the festival, which featured plenty of unique, international offerings. Was Argento’s Adrien Brody-starring thriller a return to form? Did The Mo Brothers (Killers, Headshot) succeed with their Indonesian spin on The Texas Chain Saw Massacre? Who reigns supreme? Let’s find out!

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On this episode of JodoWOWsky, be prepared to live the most wonderful experience of your life! It’s Alejandro Jodorowsky’s legendary acid western EL TOPO, and after seeing it you’ll never be the same. Liam, Julia and Doug break down the history of the film and their experiences with it before delving into the film proper, splitting it into three parts for easier consumption. We finish with a look at Jodorowsky’s comic book follow-up THE SONS OF EL TOPO. Enjoy!

Your hosts are Cinema Smorgasbord regulars Doug Tilley (@Doug_Tilley) and Liam O’Donnell (@LiamRulz), but they are joined on this adventure by the always wonderful and incisive Julia Marchese!

Julia is a filmmaker, actor, writer, film programmer and podcaster. Julia’s first film was Out of Print, a documentary about the importance of revival cinema and 35mm to culture. The film has played all over the world in film archives, art house cinemas and universities. The 35mm print of the film is now housed at The Academy Film Archives. Her next project is a short film adaptation of Stephen King’s short story “I Know What You Need”. She is the co-host of Horror Movie Survival Guide, a weekly podcast that takes a deep dive into a different horror film each week, focusing on how to become the final girl. You can follow her on her social media platforms

juliamarchese.com

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Our look at the filmography of the great John Singleton continues with two of his mid-period films, starting with the often-brutal historical drama ROSEWOOD from 1997, followed by the coming-of-age comedy-drama BABY BOY from 2001. Also, we had already recorded this and Liam deleted it. HEAR THE WEARINESS IN OUR VOICES. Enjoy!