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Check out the full Bartel Me Something Good archive right here

On this episode of BARTEL ME SOMETHING GOOD (the world’s finest Paul Bartel-themed podcast) we’re finishing up the directorial career of Paul Bartel with some television odds & sods! First up are two episodes of the TV show CLUELESS, based on the popular 1995 film starring Alicia Silverstone. This 1996 series is a cut above the sitcoms of the time and brought along a surprising amount of the film’s cast, and not only has Paul Bartel behind the camera.. but in front of it as well, playing a crusty old principal in one of the episodes! Then we talk about an interesting rarity; an episode of the British alternative comedy anthology series THE COMIC STRIP PRESENTS directed and co-written by Paul Bartel called DEMONELLA, starring a whole slew of familiar faces in the realm of UK comedy, including Adrian Edmonson, Jennifer Saunders, Robbie Coltrane and a beardless Paul Bartel playing Oscar Wilde! Listen and enjoy!

Check out The Comic Strip Presents: Demonella right here:

Check out Clueless, Season 1, Episode 5 “We Shall Overpack” right here:

Check out Clueless, Season 1, Episode 8 “Cher Inc.” right here:

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On a landmark episode of WE DO OUR STUNTS we continue our chronological look at the career of Jackie Chan with his first great movie: 1978’s SNAKE & CRANE ARTS OF SHAOLIN! Directed by Chen Chi Hwa (who would later collaborate with Jackie on POLICE STORY), the film is about a marital arts student (played by Jackie) who is guarding “Eight Steps of the Snake and Crane”, a martial arts manual. Filled with excellent choreography and a sarcastic sense of humor, we’re inching ever closer to the combination of kung-fu and comedy that would turn Jackie into an international star. Check it out!

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Well, here’s something a bit different. We were both dreading having to talk about ANNIE HALL on the latest episode of PRAISING KANE (Liam even wanted to skip this episode entirely), so instead, we spend the first half of the episode talking about why we almost skipped it (yes, it’s because of Woody Allen), our frustrations with separating art from artist, and how we personally deal with films that have been poisoned by the actions of people involved. After the break we shift gears to give our general thoughts on the film and, of course, Carol Kane’s performance within. Check it out.