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A trio consisting of fun-loving Tony (Harry Baer), the more serious minded Ric (Al Cliver) and the bombastic Napoli (Vittorio Caprioli) take on the vicious Mazari (Jack Palance) in the 1976 Italian action film RULERS OF THE CITY (aka MISTER SCARFACE), another poliziottescho classic from genre master Fernando Di Leo which includes a surprising amount of comedy amongst the usual array of car (and foot!) chases, motorcycle stunts and gunfights. Tony years for a relaxing life in Brazil but gets on the bad side of the mob, while Ric wants revenge for the murder of his father, which means they have to stay one step ahead of baddies as they play pool, have group sex and get themselves in deeper and deeper trouble. It’s fun! All of this and a little introductory summary of our experience with Italian crime films over these last few years. Check it out!

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Check out the full We Do Our Own Stunts archive right here

CUT THE CRAP! We’re post-American excursion and post-Lo Wei scraps and things are about to POP OFF with the first of the Five Lucky Stars series WINNERS & SINNERS starring Sammo Hung, Richard Ng, Charlie Chin, Stanley Fung and John Shum. Oh, and Jackie Chan is here as well, reconnecting with his “big brother” (and Yuen Biao in a tiny part) for the first time in years and transitioning to martial arts/comedy hybrids with higher production values and bigger stunts. This one might lean a bit TOO heavily on the comedy, but you get roller skating stunts, car stunts, and some dynamite action to whet your appetite for what’s to come. Enjoy!

Here’s the Winners & Sinners outtakes:

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We’re getting WILD IN THE STREETS with Charles Bronson and Telly Savalas in the New Orleans-set Eurocrime classic VIOLENT CITY from 1970. The plot involves Bronson’s retired assassin Jeff Heston getting revenge on those who left him for dead, including the woman he loves (played, naturally, by Jill Ireland). Sergio Sollima’s VIOLENT CITY features some dynamite action sequences, some terrific performances and some disturbing misogyny that left us – wait for it – conflicted. It also features a wonderful soundtrack from Ennio Morricone, that the movie takes great advantage of. CHECK IT OUT!

Check out VIOLENT CITY right now on the Tubi streaming service:

https://tubitv.com/movies/682048/violent-city?start=true

Or pick up the recent special edition VIOLENT CITY blu-ray through Kino Lorber right here.

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We’re getting Wild in the Streets with Franco Nero in Enzo G. Castellari’s 1974 Eurocrime revenge thriller STREET LAW! Starring Nero as an engineer who finds his safety (and masculinity) threatened by a post office robbery and decides to take the (street) law into his own hands. Badly! More nuanced than one might expect, and featuring a rocking soundtrack, there’s still plenty of action and – of course – explicit violence. Check it out!

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It’s the RETURN of YOU DON’T KNOW DICK, the world’s greatest Dick Miller-themed podcast! On this episode we’re joined by the crew from The New World Pictures Podcast to discuss the slam, bang, smash-em-up chase movie MOVING VIOLATION from 1976, starring Stephen McHattie and Kay Lenz as a couple on the run after witnessing a murder by a local sheriff. We discuss our favorite New World films, our love of automobiles and all things DICK MILLER. Check it out!

Check out The New World Pictures Podcast on Twitter @TheNewWorldPod and be sure to check out their pod and subscribe right here.

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On this pulse pounding episode of George Kennedy is my Copilot we’re looking at the techno-thriller/Death Wish knockoff THE HUMAN FACTOR from 1975 featuring George Kennedy mowing down the left-wing terrorists who murdered his family. With a score by Ennio Morricone, a supermarket massacre, some top-notch wailing from GK and – of course – Shakidu, the movie really does have it all. But is it any good? Let’s find out!

Check out Sarah Jane on Twitter @FookThis, as well as the White Slaves of Chinatown YouTube page. And check out her writing over at the Austin Chronicle right here.

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We’re getting Wild In The Streets with Umberto Lenzi’s gleefully exploitative 1974 crime thriller ALMOST HUMAN (aka THE DEATH DEALER, aka Milano odia: la polizia non può sparare). Featuring a stand-out slimy performance from Tomas Milian, the film follows small-time scumbag Giulio Sacchi as he goes on a spree of murder and mayhem throughout Milan while tough cop Walter Grandi (Henry Silva) is hot on his trail. It’s filled with chaos and bloodshed, but is it fascist? Let’s talk about it.