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On this episode of WHATEVER HAPPENED TO VIC DIAZ? we’re with two American lunkheads (played by Jock Gaynor and Larry Ward) exploring shipwrecks in the Philippines when one of them happens upon the skeleton of an ancient Moro princess.. UH OH! Soon we’ve got possession, murder, cock fighting, nude underwater photography and a whole lot more (including Vic Diaz)! It even has a fun twist thrown in for good measure. All that and a conversation about sexploitation films and how they make us feel (the answer may surprised you). ENJOY!

Watch THE DEATHHEAD VIRGIN right here:

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Find the entire George Kennedy is my Copilot archive right here

What’s a George Kennedy-themed podcast without a DISASTER? On this episode of George Kennedy is My Co-Pilot California is hit by the BIG ONE in 1974’s EARTHQUAKE where an all-star cast (including Charlton Heston, Ava Gardner, Richard Roundtree, Lorne Greene, Geneviève Bujold and – of course – George Kennedy) have to deal with the after-effects of a massive tremor that destroys most of California. Of course, before the quake hits there’s plenty of melodrama and complex relationships (script by Mario Puzo!), but once the earth starts to move things get properly apocalyptic. Our EARTHQUAKE talk is preceded by a short chat about a late-era episode of the television sitcom WINGS featuring George playing a put-upon version of himself! ENJOY!

https://x.com/CinemaSmorg/status/1837522129333403912

Check out Sarah Jane on Twitter @FookThis, as well as the White Slaves of Chinatown YouTube page. And check out her writing over at the Austin Chronicle right here.

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Check out the full Wild in the Streets archive right here

In 1974 Mario Bava was struggling after a series of financial failures and decided to turn towards a genre completely new to him: Poliziotteschi! Adapting a crime story by Michael J. Carroll, he was almost finished filming when the producer filed for bankruptcy, leaving the film to sit on a shelf for twenty years (well after Bava’s death in 1980). On this episode of WILD IN THE STREETS we take a look at the revived film RABID DOGS, which exists in FIVE different versions – most notably an unfinished workprint version and a re-edited version with new sequences filmed by Lamberto Bava retitled KIDNAPPED! Was it worth the wait, or should these dogs be put down? LISTEN AND FIND OUT!

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Check out our Cinema Fantastica archive right here.

On this episode of Cinema Fantastica we’re traveling back to 1984 and the Boston Science Fiction Film Festival in Boston, Massachusetts – one of the longest running genre film festivals in the United States! This iteration was an all-night science fiction movie marathon, and we’re putting two genre classics against each other: Roger Corman’s unnerving X: THE MAN WITH THE X-RAY EYES from 1963 vs Saul Bass’ environmental sci-fi/horror PHASE IV from 1974! WHICH FILM WILL REIGN SUPREME? Listen and find out!

Find out more about the Boston Science Fiction Film Festival right here.

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Find the entire George Kennedy is my Copilot archive right here

We’re getting heist-y on a brand new episode of GEORGE KENNEDY IS MY COPILOT with Michael Cimino’s terrific buddy crime comedy THUNDERBOLT AND LIGHTFOOT from 1974! Clint Eastwood and a (shockingly handsome) Jeff Bridges grow a friendship over their shared love of women and thievery, with Geoffrey Lewis and – wait for it – George Kennedy on their tails, until the crew get together to plan a big ol’ robbery and run off into the sunset. We chat about Jeff Bridges’ ice cream technique, Conan O’Brien, Dub Taylor, Preacher Eastwood and SO MUCH MORE. Check it out!

Watch the Conan O’Brien clip with the George Kennedy commercial right here:

 

Check out Sarah Jane on Twitter @FookThis, as well as the White Slaves of Chinatown YouTube page. And check out her writing over at the Austin Chronicle right here.

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We’re getting Wild in the Streets with Franco Nero in Enzo G. Castellari’s 1974 Eurocrime revenge thriller STREET LAW! Starring Nero as an engineer who finds his safety (and masculinity) threatened by a post office robbery and decides to take the (street) law into his own hands. Badly! More nuanced than one might expect, and featuring a rocking soundtrack, there’s still plenty of action and – of course – explicit violence. Check it out!