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Check out the full WHATEVER HAPPENED TO VIC DIAZ? archive right here

WHATEVER HAPPENED TO VIC DIAZ is BACK! On this episode Tom Selleck is an American museum curator in the Philippines who becomes obsessed with a painting of three witches being burned at the stake when he notices one eerily resembles his young wife Chris (Barra Grant) in 1972’s DAUGHTERS OF SATAN. What follows is SATANISM, witchery, a demon dog from HELL, and lots and lots of day-for-night filmmaking. Also.. the wonderful Vic Diaz as the fiendish antiques dealer Carlos Ching! Let’s explore it together, friends.

As discussed on this episode, watch Pagbabalik ng Lawin (1975) right here:

https://www.youtube.com/watch?v=lsRRv8Hj3h0&t=785s

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Check out the full Wild in the Streets archive right here

WILD IN THE STREETS returns with the first entry in Fernando Di Leo’s Milieu Trilogy: the hard hitting 1972 classic CALIBER 9 (aka MILANO CALIBRO 9)! Featuring Gastone Moschin as Ugo Piazza, a small time gangster fresh out of jail being hunted down by his former associates for stealing $300,000 that he swears he doesn’t have, it’s tough as nails and features a memorable jazz-flute tinged score by Luis Enríquez Bacalov and the Italian progressive rock group Osanna. It also features the great Mario Adorf in a gloriously unhinged performance as Rocco. CHECK IT OUT!

Watch the Milano Kalibro Kobe commercial (featuring Enzo G. Castellari) here:

 

 

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Check out the full Wild in the Streets archive right here

We’re getting WILD IN THE STREETS with Henry Silva and Woody Strode in Fernando Di Leo’s THE ITALIAN CONNECTION from 1972! Starring Mario Adorf as a Milanese pimp wanted by the mob for a crime he didn’t commit, it takes its time getting going, but eventually turns into a story of violent revenge, including one of the finest chase sequences you’re likely to ever see! We discuss some of our other favorite chase scenes, Liam’s crime connections and SO MUCH MORE. Check it out!

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We continue our chronological look at the career of the great Paul Bartel with his feature length debut PRIVATE PARTS from 1972. Equal parts perverse and hilarious, it’s a film that is filled with twists and turns and set the blueprint for much of what was to come from the always unpredictable director. We’re also looking at Bartel’s 1969 short film NAUGHTY NURSE, which showed that Bartel’s taste for boundary pushing was something that came about very early in his career.

Check out Naughty Nurse here:

Be sure to follow Adrianna Gober on Twitter @EADxBB

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On this heart-racing episode of WILD IN THE STREETS we’re looking at the seminal 1972 poliziottesco film EXECUTION SQUAD (aka La polizia ringrazia)! The film takes a surprisingly balanced look at the war between cops and criminals in Italy in the early 70s, with a sympathetic police commissioner (Enrico Maria Salerno) battling both violent psychopaths, as well as a group of vigilantes (the EXECUTION SQUAD) taking vengeance into their own hands. CHECK IT OUT!

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It’s PRAISING KANE, and after three episodes we are ready for a film that features more than two minutes of Carol Kane on-screen. Thankfully, William Fruet’s WEDDING IN WHITE delivers a strong lead performance from Kane, who is surrounded by some heavy-hitters (including Donald Pleasence)! While this Canadian drama is somewhat obscure, despite having won Best Feature Film at the 1972 Canadian Film Awards, it’s really well made, affecting and often depressing as hell. LISTEN TO US TALK ABOUT IT!