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It took 12 episodes to get here, but after the box-office success of SNAKE IN THE EAGLE’S SHADOW, Jackie Chan suddenly finds himself a bankable martial arts star. So why not do it all again, only better? DRUNKEN MASTER reunites Jackie with basically everyone who worked on the previous film, including producer Ng See-yuen, director Yuen Woo-ping, and stars Hwang Jang-lee, Dean Shek and Simon Yuen, and the result is a global smash that launched Jackie’s career and set both a pattern for the next stage of his career, as well as provided material for dozens of rip-offs, tributes and sequels. Join us on the latest episode of WE DO OUR OWN STUNTS where we discuss Jackie’s recent birthday, the death of Jimmy Wang Yu, and talk all about 1978’s DRUNKEN MASTER. Check it out!

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You asked for it, you got it! The big Eric Roberts news thus far in 2022 has been his role on the second season of the critically acclaimed HBO comedy The Righteous Gemstones, so it’s time to talk about it on this brand new episode of ERIC ROBERTS IS THE MAN.  For such a, um, righteous endeavor, we needed a terrific guest, and who better than Shock Cinema and Cinema Sewer contributor Michael Sullivan to talk about the show, the Academy Awards, Kevin Sorbo, the price of Cameos and all the latest Eric Roberts news. CHECK IT OUT!

Check our Michael Sullivan’s work in Shock Cinema magazine. The latest issue was recently released, and can be purchased via https://www.shockcinemamagazine.com/

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It’s the RETURN of YOU DON’T KNOW DICK, the world’s greatest Dick Miller-themed podcast! On this episode we’re joined by the crew from The New World Pictures Podcast to discuss the slam, bang, smash-em-up chase movie MOVING VIOLATION from 1976, starring Stephen McHattie and Kay Lenz as a couple on the run after witnessing a murder by a local sheriff. We discuss our favorite New World films, our love of automobiles and all things DICK MILLER. Check it out!

Check out The New World Pictures Podcast on Twitter @TheNewWorldPod and be sure to check out their pod and subscribe right here.

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“Have you checked on the children?”

On this episode of PRAISING KANE we continue our chronological look at the career of the wonderful Carol Kane with the 1979 thriller WHEN A STRANGER CALLS. Best known for its incredibly tense first twenty minutes, the film takes some unexpected – and odd – twists and turns, with a private investigator played by Charles Durning on the heels of a serial killer. We also look at all the latest Carol Kane news, and have a promising update about our next episode! Check it out.

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On this episode of HOW DO YOU DO, FELLOW KIDS? we’re looking at all the latest and greatest Steve Buscemi news, including his recent modeling work, and his appearance in a BIG LEBOWSKi-themed commercial during the BIG game this year. Then we jump into a discussion Robert Rodriguez’s action epic DESPERADO, featuring Antonio Banderas and Salma Hayek. We discuss our complicated feelings on Rodriguez as a director, the acting career of Quentin Tarantino, the John Woo-inspired action scenes and SO MUCH MORE. So check it out!

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On this episode of Cinema Fantastica we’re going all the way to Melbourne, Australia and the 2016 edition of the Monster Fest film festival which featured the Amsterdam-set supernatural slasher film THE WINDMILL MASSACRE and Paul Schrader’s unhinged crime film DOG EAT DOG. Our two hosts make their case for the superiority of their film of choice, but which will reign supreme? And what was up with DOG EAT DOG’s ending and the Bogart impression? We also investigate the festival, its history and some other films that played in the 2016 edition. CHECK IT OUT!

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On BARTEL ME SOMETHING GOOD, host Adrianna Gober is looking semi-chronologically at the life and career of director/writer/actor Paul Bartel, along with regular Cinema Smorgasbord hosts Liam and Doug! On this premiere episode we’re looking at Bartel’s short film THE SECRET CINEMA from 1966, as well as his own remake of the film as an episode of the Steven Spielberg produced TV anthology series AMAZING STORIES. An incredibly prescient work, both versions of the story reflect both the time they were made and – improbably – the rise of social media, reality television, and voyeurism, and we’re going to talk about it ALL. Check it out!

You can watch The Secret Cinema on YouTube right here.

And you can watch his Amazing Stories episode on NBC.com right here.

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Despite his increasing success with comics, Jodorowsky was still reeling from the failure of his Dune project when he decided to adapt Reginald Campbell’s “Poo Lorn of the Elephants” into the disastrous 1980 film TUSK. Disowned by the director (“Don’t see Tusk. I bury the film.”) and nearly impossible to track down in a watchable form, the movie remains an enigma in Alejandro Jodorowsky’s career. On this episode of JodoWOWsky, we look at how TUSK came about, whether it’s the disaster so often reported, whether a better film might be hiding inside the original elements, and how the heck the whole thing fell apart. CHECK IT OUT!

On this episode we referenced this wonderful article – one of the most detailed out there – about the messy history and legacy of Tusk.

If you want to read Poo Lorn of the Elephants, it can be found on archive.org right here.

Your hosts are Cinema Smorgasbord regulars Doug Tilley (@Doug_Tilley) and Liam O’Donnell (@LiamRulz), but they are joined on this adventure by the always wonderful and incisive Julia Marchese!

Julia is a filmmaker, actor, writer, film programmer and podcaster. Julia’s first film was Out of Print, a documentary about the importance of revival cinema and 35mm to culture. The film has played all over the world in film archives, art house cinemas and universities. The 35mm print of the film is now housed at The Academy Film Archives. Her next project is a short film adaptation of Stephen King’s short story “I Know What You Need”. She is the co-host of Horror Movie Survival Guide, a weekly podcast that takes a deep dive into a different horror film each week, focusing on how to become the final girl. You can follow her on her social media platforms

juliamarchese.com

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On this pulse pounding episode of George Kennedy is my Copilot we’re looking at the techno-thriller/Death Wish knockoff THE HUMAN FACTOR from 1975 featuring George Kennedy mowing down the left-wing terrorists who murdered his family. With a score by Ennio Morricone, a supermarket massacre, some top-notch wailing from GK and – of course – Shakidu, the movie really does have it all. But is it any good? Let’s find out!

Check out Sarah Jane on Twitter @FookThis, as well as the White Slaves of Chinatown YouTube page. And check out her writing over at the Austin Chronicle right here.

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We’re getting WILD IN THE STREETS with Lucio Fulci’s sole eurocrime effort CONTRABAND from 1980, featuring Fabio Testi as a boat smuggler who finds himself at the mercy of Marcel Bozzuffi’s Il Marsigliese with – SURPRISE – violent consequences! Featuring plenty of trademark gore, particularly in the blood-soaked climax, as well as a funky Fabio Frizzi score and Sergio Salvati photography, it’s a Fulci film through-and-through.. for better or for worse. CHECK IT OUT!